Drilling Field

Sara-Jeanne Bourget
Vancouver, BC

Dimension

45" x 30"

Médium

Charcoal and soft pastel monotype, relief ink, on Stonehenge paper

I use drawing and printmaking interchangeably while employing a cyclical process that captures and recycles the methods and materials inherent to my practice. Drilling Field emerges from a drawn and hand cut paper matrix ran through the press on an inked surface, resulting in a monotype. The motif of the hole is reminiscent of my fascination with woodpeckers’ interventions on surfaces and the careful study of their mark-making (hole-pecking) technique. My close examinations of the surfaces they activate and mine are mirrored in how I use the hole as a repeated shape.

Drilling Field

Sara-Jeanne Bourget
Vancouver, BC

À propos de l'artiste
À propos de l'artiste

Sara-Jeanne Bourget
Vancouver, BC

Sara-Jeanne Bourget is a visual artist originally from Québec who lives and works in Vancouver, British Columbia, on the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. She is currently an Assistant Professor in Drawing at Emily Carr University and the co-founder of Patio Press, a collaborative and experimental printmaking project.
 
Bourget engages in a cyclical process that captures and recycles the methods and materials inherent to her drawing and printmaking practice. Her work questions how the act of mining materials in/site/fully can be reflected in various systems, including non-human interactions.

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