Connie Michele Morey's studio practice explores the experience of home as ecological interdependence. Through site-specific performance with sculpture, photography, and video, her work questions the relationships between ecology, displacement, and belonging. Connie's studio practice is influenced by childhood experiences of living rurally off the land while being surrounded by family traditions of masonry and textiles. Her family history co-mingles settler and Indigenous identities (Scottish, Swedish & Anishinaabe). Her studies in sculpture, eco-feminism, and decolonial studies have impacted her interest in the politics of displacement. Connie currently lives on the unceded territories of the Xwepsum (Esquimalt) and Lkwungen (Songhees) Peoples.