As the pandemic escalated, I retreated to the studio and began a self-imposed residency. My challenge was to create precise patterns of straight and intersecting lines, which are normally considered the bane of kilnformed glass. During the process of shaping the glass into deep bowls, these lines were transposed into sweeping profiles. When inverted, the bowls could be arranged so the patterns ‘bounced’ between domes in a manner that I found both calming and engaging. What started as functional objects, like so many personal routines this past year, have been transformed, reorganized, and made new through discovery and change.