SSNAP 2017 Closing Gala
Meet the Jurors
David Garneau (Métis) is associate professor of visual arts at the University of Regina.
His practice includes painting, drawing, performance art, video, curation, and critical writing.
He recently co-curated (with Michelle LaVallee) Moving Forward, Never Forgetting, an exhibition concerning the legacies of Indian Residential Schools, other forms of aggressive assimilation, and (re)conciliation, at the Mackenzie Art Gallery in Regina. And (with Tess Allas) With Secrecy and Despatch, an international exhibition about massacres of Indigenous people, and memorialization, for the Campbelltown Art Centre, Sydney, Australia.
Garneau has given talks in Australia, the United States, and throughout Canada. He is currently working on curatorial projects in Sydney, New York, and South Africa; is part of a five-year, SSHRC funded, curatorial research project, ‘Creative Conciliation’; and is working on two public art projects in Edmonton.
His paintings are in numerous public and private collections.
Dr. Denis Longchamps has been the artistic director and chief curator at the Art Gallery of Burlington since May 2013.
From 2006 to 2012, Dr. Longchamps was the administrator of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art at Concordia University. Then from 2012 to 2013, he was the exhibition and publication manager at The Rooms Provincial Art Gallery, in St. John’s, Newfoundland.
He received his PhD in art history in 2009 and was a research fellow at the Yale Centre for British Art in 2010.
Dr. Longchamps regularly contributes essays, articles and reviews for magazines and journals such as Espace-Sculpture, Ceramics monthly, Ceramics Art and Perception, and the journal of The Picturesque Society. As well, he has curated over 45 exhibitions and is presently involved with an international research project, Naked Craft, of which the exhibition toured in Canada and Scotland.
Dr. Longchamps was the publisher and managing editor of Cahiers métiers d’art : Craft Journal.
Naomi Potter is the director/curator of Esker Foundation in Calgary.
From 2009 to 2011, she was curator of Walter Phillips Gallery at The Banff Centre where she produced solo projects and exhibitions with many artists including Anthony Burnham, Geoffrey Farmer, Melanie Gilligan, Brian Jungen, Ragnar Kjartansson, Silke Otto-Knapp, and Ron Terada. More recently she has worked to develop projects at Esker Foundation with Peter von Tiesenhausen, Cedric Bomford, Cynthia Girard, Mia Feuer, Colleen Heslin, Etienne Zack, and Jasmina Cibic to name a few.
In 2003, Potter was awarded a year-long Deutsche Akademische Austauschdienst (DAAD) artist residency in Istanbul, and from 2003 to 2007 was co-director of the international artist residency program at CESTA in the Czech Republic.
In 2015, she was a guest of both the Australian Arts Council and British Council International Curatorial Visit programs, and a jury member for the Sobey Art Award (2016) and the RBC Canadian Painting Competition (2014).
Potter holds a BFA from the University of British Columbia, Vancouver, and an MFA in sculpture from Concordia University, Montreal.
Vicky Chainey Gagnon
Vicky Chainey Gagnon is a contemporary art curator currently based in St John’s, Newfoundland and Labrador where she holds the position of director/chief curator of The Rooms, Provincial Art Gallery Division.
She is a graduate of the bachelor of fine arts program in art history and film studies at Concordia University and the master of arts program in interdisciplinary studies at York University. As a curator, Chainey Gagnon has initiated contemporary art exhibitions and film screenings in Montreal, Toronto, Winnipeg and Quebec City.
She has acted as a juror for provincial and national arts competitions, and has also sat on selection committees for the collections of the Musée National des Beaux-arts du Québec and the Leonard and Bina Ellen Art Gallery at Concordia University. In May of 2014, Chainey Gagnon curated the Quebec City based international biennale, Resistance: And Then, We Built New Forms.
Holger Kalberg is a Winnipeg based artist currently teaching at the University of Manitoba. Born in Germany, he first studied English literature before coming to Canada to study fine art at the Alberta College of Art and then at Emily Carr University, where he graduated in 2001. In 2007, Kalberg received his master of fine art from the Chelsea College of Art in London, England. Short listed for the RBC Painting Competition in 2002, 2004 and 2005, he juried for that same competition in 2013.
Represented in Canada by Monte Clark Gallery in Vancouver and Toronto, Kalberg has had solo exhibitions abroad in London, Geneva, and Duisburg, Germany. His work originally used architectural based imagery to explore the relationship between photo and painting. He now uses self-made source material to explore and critique the legacy of high modernism, the art object as commodity and image making in the digital age through sculpture, painting and works on paper. His most recent exhibition was The Family at Monte Clark Gallery in Vancouver in August 2014.
Ian Thomas is a long time member of the art community on Salt Spring Island. Educated in England and with a master of arts in art education from the University of British Columbia, he went on to teach at the University of British Columbia and Camosun College in Victoria.
In his own work Thomas has used painting, drawing, photography, printmaking, installation, words and performance. His installation Swallows Meadows toured British Columbia in the 1990s—a project which carried on through two more exhibits shown at The Point Gallery in 2008 and 2009. Thomas’ current work addresses humanities’ place in the landscape, but also reflects his ongoing concern with memory and the frailty of the human condition.
Respected as a juror on Salt Spring Island for the integrity of his opinions and the insight he brings to any discussion of the visual, Ian juried for the Regional Arts Council and for British Columbia Cultural Services with Gordon Smith. He is represented on the island by Pod Contemporary Gallery.
2017 Jurors Choice Awards
Juror – Denis Longchamps
Artist – Diana Thorneycroft ‘Guard on the Edge (of the forest and the night)’
Juror – David Garneau
Artist – Jan Little ‘Jael Suddenly Found Herself With That Beard She’d Long Dreamt Of’
Juror – Naomi Potter
Artist – Katherine MacNeill ‘Offroad East Of Oyama BC’
The intent of the Salt Spring National Art Prize is to encourage artists whose practice demonstrates originality, quality, integrity and creativity, resulting in significant work with a real impact and depth of meaning.
The jurors must declare any interest they have in submitted entries to the organizers. Conflicts of interest will be reviewed on a case-by-case basis.
The Salt Spring National Art Prize employs a three-stage jurying process.
Each entry will be screened by the organizers to ensure that conditions of entry are met. Entries that do not meet the requirements stated in the Conditions of Entry will not be adjudicated.
Should there be an overwhelming number of entries eligible for adjudication, the organizers reserve the right to establish a shortlist prior to the jurying procedure.
An independent, online jury of three visual arts professionals who represent different areas of expertise, will select approximately 50 finalists from the eligible or short-listed entries. Members of the jury will be selected from across Canada.
No names, addresses or other identifying information from the submissions will be disclosed to the jury during the second phase of the jury process.
Entrants will be informed of pre-selection results by July 14, 2017. The list of exhibition finalists will be posted on this website after July 21. Images of the finalists’ works will be posted on this website after the Gala Opening event of September 22.
Inclusion in the exhibition is at the jurors’ discretion and their decision is final. No correspondence will be entered into.
The same jurors will select the winners of the Joan McConnell Award, the Jurors Choice Awards and the Alliance of Salt Spring Artists (ASA) Award at an in situ viewing of the exhibition.
The winners of the Rosemaria Behncke People’s Choice Awards will be determined by public vote during the exhibition.
All award winners will be announced at the Gala Awards event.
A jurors’ exhibition tour and discussion will be held the morning following the Gala Awards event.